A few weeks ago at SXSW in Austin, Texas, the lovely Karen Walrond sat me down and asked me a few questions about heartbreak. Not about the sad and the terrible and the woe-is-me of heartbreak, but about the beauty of heartbreak. And it was a wonderful and, I think, important conversation, because there is beauty in heartbreak, such that it’s actually misleading to call that exercising of the heart a break. The heart never really breaks. It pulls and stretches and moves and expands, and that movement can hurt terribly, but it’s not a movement toward breaking. The heart is not bone or ceramic or glass, Debbie Harry’s assertions notwithstanding. The heart, as I’ve said before, is a muscle. Its movements are extraordinary, even when they hurt. I needed to remind myself of that.
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I said that I would let Emilia style an outfit for me. And I did.
The snow is lovely, bright and deep / but she has promises to keep / and miles to go before she sleeps / and miles to go before she sleeps.
Frost’s classic poem is, of course, haunting in its original form, but is it any more haunting than a cold winter afternoon spent trying to entertain candy-cane-jacked, snow-mad kindergarteners who have already declared that they are ‘NOT SLEEPING UNTIL SANTA COMES MOMMY YOU CAN’T MAKE ME’? Is it? IS IT?