New Moon – the second film in the series based upon the Twilight novels (which I will not explain to you here, because, seriously, have you been living under a rock?) – opened last night and I did not go see it. Oh, I’ll get around to seeing it, eventually, but I’m not in any great hurry because a) if I happen to find spare hours in any given day sufficient to the purpose of going to the movies, I will be using them to catch up on sleep, and b) I actually really kind of didn’t so much like New Moon the book (more on that below), and will only be seeing the movie to see the parts that actually involve a plot – which is to say, the end – and that can wait until I’ve caught up on my sleep. But the flurry of discussion about the Twilight novels and the movies deriving from those novels, much of which repeats last year’s canards about aren’t these books actually kind of bad? and a good feminist would never, ever let her daughter anywhere near these books, has got me thinking about the stuff I was thinking about last year when the first movie was released. So I thought I’d repost (what follows was originally posted at MamaPop), with some minor addenda and amendments, some of my thoughts on the subject.

So there’s this vampire movie? And, like, it’s based on this book that’s like part of a four-book series and it’s about this vampire? Who’s like a nice vampire? And he falls in love with this girl and she falls in love with him and it’s, like, SO AWESOME.

Seriously.

I’m not going to claim to anybody that the Twilight series is high literature. It’s not high literature, by any stretch, unless you happen to consider the works of Dan Brown high literature, in which case you’ve probably already read Twilight sixteen times and made notes in the margins with your National Treasure commemorative ballpoint pen, and, also, could I interest you in a library of leather-bound works by Ken Follet?