Hey, everybody! Meet Jason! He’s a dad and a photographer and he’s going to be contributing here, sharing his digital life, and providing much-needed professional advice on all this photography stuff that I am so resolutely amateur about. In his own words:
“Jason Thomson is insane. How else do you explain being a dad to six kids, working as a full time writer and photographer and publishing “Frame One,” a blog to help anyone who wants to take better pictures without being a photographer.”
Take it away, Jason…
It’s just so darn tempting.
You turn on your camera and are bedazzled by that ever-expanding list of situational settings. Portraits. Fireworks. Aquarium (!). When you first buy the camera, you think to yourself “Oh man, I’m totally going to use all of those on trips next summer.”
Then next summer comes and you can’t find “Aquarium” buried under menu three and how to get the best shots from it.
“Auto” is a scam.
This past weekend, I took this picture:
That’s Emilia, standing in Cox Lake in the Kawartha Highlands, watching the setting sun. I love this shot, because the light of the sun just scatters around her. She’s in shadow, but she’s still all, you know, glowy. I love glowy.
Here’s something that you might not know about me: I’m a professional blogger. A professional mom-blogger. Which is to say, I earn a living – a good one – from the business that I’ve established around this blog that deals primarily in discussions related to motherhood and parenting and – I should warn you, this will be the first of many words that some consider unladylike – the brand that is associated with this blog.
There’s a post at Babble this week by a mom who regrets having been too obsessed with photographing every moment of her family’s life. She forced herself to put the camera down, and, she says, is happier for it. “While I still desperately want my boys to be able to look through photo albums of their childhood and feel a deep sense of love and family,” she writes, “I also want them to remember that I ran into the cold Maine surf right beside them, that I danced the night away with them in my arms at their auntie’s wedding, and that I simply sat with them while they talked about cars and firemen and bugs. That I did not leave them to grab my camera — no matter how adorable they looked. Instead, I stayed and I listened.”
Which is lovely, really, and I get it, I do. There is a difference between living a moment and documenting a moment, between being in and aware of the lived experience of a moment and being an observer of that experience. Here’s the thing, though: each of those experiences is a discrete and unrepeatable experience. It happens once, and only once. Which is, perhaps, all the more reason to just live each experience as fully as possible. It’s also, however, an excellent reason to seize those experiences – some of them, anyway – and do whatever we can to hang on to them. Photographs are one way of doing that.